Language

In terms of language, dialects are called regional languages. A regional language or dialect is a language isolated from the origin of a particular language. In linguistics, this deviation can be noticed in the three cases of phonology, phonology and morphology. The amateur language of literature has its own word theory, phonetics and morphology. Similarly, regional languages ​​or dialects have their own resources of words, sounds and forms. Regional languages ​​are not new languages. Confirmed regionally in the middle of geographical boundaries. And in the language of Magura district, it is not exceptional.

Like the regional languages ​​of all the districts of Bangladesh, the language of Magura district also varies from region to region. The people of different villages of Sreepur and Mohammadpur upazilas on the west bank of Madhumati river in this district have some similarities in the pronunciation of the regional language of Faridpur. Therefore, a careful review shows that there are upazila based regional languages ​​in Magura district. The present day Magura district was a subdivision of Jessore district. The example of Muhammad Shahidullah's mention of the regional language of Jessore is "two salsals of one zone". Targe Moddi has a small vagina, he says to his father, give me the share of Baba Yama-Yumi that I will get. In it, twenty percent of the targae kordhya dale. But these words were expressed by the people of the southern part of Mohammadpur upazila of Magura district in the following way: Tagger moddi small yon call to his father, bajan yumayami bug what I get, give it to me. Tahan said that Beta shared what he had hoped for with his children. '' This is what many people in the western part of Sadar upazila of Magura district and many villages in the western part of Sreepur upazila said in this way. Maddi Chhota Yon give me the share of what I get from her father Kolo Baap Jumayumi. Tahan shared what his father did with his money. '' Analyzing this, it turns out that there are three differences in pronunciation and phonetic accents.

Such as dudo-dude dudo and kale-kalo-kale etc. Magura district is an eastern central branch of the Eastern Desi Division by dialect class. Indicates the spoken language of Greater Jessore, Khulna and Faridpur (excluding the South East) as a major branch of the Eastern Desi branch. Besides, in the dialect of this district, the sound of great soul is preserved everywhere except the end. Regional languages ​​are changing in the evolution of time. The following are some regional languages ​​that are on the verge of extinction

Auri (B) - rice husk. Arong (B) - spoon made of coconut garland. Apaya (Bin) - Apaya. Abogga (b) - negligence. Ayomma (Bin) - Ajamma. Aramuktale- (Bin) lazy. Adhamadada (Bin) - The feminine rice. Alta (B.) - Asatma paddy in Dheki Chhata rice. Uyoshuyo (b.) - straight, flying (b.) - rope used to collect palm sap. Insects (B) - Flies. Ekshare (bean) - not a mixer. OK (om.) - OK. Okeda- (all) - who is he. Kaur (B.) - A jump made of bamboo. Kachan Deya (Cree) - to beat. Kachakacha (preposition) - quickly. Kachakachi (b.) Quarrel. Kadame (b.) Pumpkin curry. Cominde (AD) - by no means. Raw (B.) - A thick rope twisted by hand. Kara kara (Kri.) - Kara kara by dhemki. Ink (B.) - Onion flower. Kashan (B.) - a type of liquid juice. Kiram (Bin.) - What kind. Kuche (B.) - fish like a snake. Kuchloni (b.) - intense desire. Tickle (AD) - to hesitate. Kendall (B.) - Bash-made bar. Dendal (B.) - Straw stick, Khapashi (B.) - Khunti. Khunkhune (B.) - Special fishing weapon made of bamboo. Garmara (AD) - to defeat. Gabawa (c.) - to annoy. Gongra (Bin.) - Boka, Gobod (Bin.) Boka. Ambush (adv.) - silent. Ghuni (Cree) - Special for small fishing gear. Chitei pitha (b.) - a type of pitha. Shemri (b.) - girl. Chhemra (B.) - son. Chhawal (B.) - son. Knife (B.) - key. Six (b.) - lid. Chhachara (Bin.) - stingy. Porridge (B.) - Special food items. Yamoi (B.) - son-in-law. Yel fish (Bin.) - horn fish. Euromacha (Bin.) - small fish. Jhai (B.) molasses making material, Jhajhari (B.) - bamboo machine for making butter. Oyster (B.) - Oyster. Tank (Bin.) - hard. Taha (B.) - money. Tonga (B.) - Mango bag. Dasha (B.) - Excellent. Duga (AD) - A rope made of jute. Dua (Bin.) - A high earthen staircase around the house. Rick (b.) - Structure. Slope (b.) - Excess in size. Dhalun (B.) - A special earthen pot for milking cows. They are bain (b.) - fish special. Yours. Talotaki (B.) - Special fish. Mercy (b.) - seeded banana. Dure (b.) - fishing tackle. Dhapra Pithe (B.) - Purupithe. Nayanyuni (b.) - Water bodies on both sides of the road. Nos (b.) - juice. Naked (b.) - red. Nahari (B.) - Special wooden handle for stirring rice curry. Destruction (AD) - Destruction of lineage. Natore (B.) - Garbage. Nahapara (B.) - Education. Patchal Para (AD) - Talking more. Pato (B.) - rice seedlings. Fayta (B.) - Feast for the prayers of the deceased. File (b.) - Shredded piece of wood. Firani (B.) - Barapaksha incoming family. Bashna (B.) - fragrance. Bike (B) - Bicycle. Bunai (B.) - brother-in-law. Bundi (B.) - sister. Bashcom (B.) - Difference. Bhadavad kara (cri.) Unnecessary words. Bhangar (B.) - field. Bhato Taki (B.) - Special fish. Vadame (Bin.) - useless. Varase (Bin.) - produced untimely. Shatalo (Bin.) - stepmother. Sher (R.) - to hide. Soylaby (b.) - Yorkie. Drizzle. Solam (B.) - Batabi lemon. Habar (B.) - mud. Hagra (B.) - a type of tree by the river.

Culture

In making the history of literature and culture of Magura district, one must first keep in mind that Magura's contribution to the history of Bengali culture, which has been cherished for thousands of years, is quite glorious, which is an indication of greater importance. Some such poets, writers and artists have been born in Magura too. They are really memorable. Magura is still famous for raising the harvest of their deeds at home. Poet Joy Chand Mandal is one of the heroes of the cultural arena of Magura. He had a reputation as a poet. He also excelled in Gazi's songs. Many of his compositions have enriched the folklore and culture of the district. Kabiyal Kalachand Bakhari was one of the first men in the cultural arena of Magura. His father Hakim Chand Bayati and grandfather Baul Chand were famous poets. Shah Latif Afi Anahu was another Dikpal of Magura folk music. Many of his fakir songs are still performed by his disciples.

Maindranath (Goswami Mehndi's Gonsai) is one of the best in the history of folk music in Magura. At the national level he was admired. He represented Magura at the folk music conference hosted by Dhaka Betar Kendra. Ashwini Babu and Anil Hazarika are his favorite disciples. The zamindari period has played a glorious role in the history of music practice in Magura. Apart from this, the music practice of the organization has started from the mid-sixties. The then Sub-Divisional Administrator of Magura, the esteemed Mr. Md. Asfuddaula formed the Art Council at Magura. He was assisted by the late Adv. Habibur Rahman, Khan Ziaulhaq, Dhirendranath Chakraborty, Samsunnahar Mukul and others. He later set up an institution in his home called Lalit Kala. Chandi Prasad Chatterjee started coming and going as the first student in that institution. In 197-8, Adv. A music department was opened in the social welfare office at Deepak Roy Chowdhury's house. Shri Kamlesh Chakraborty was appointed as a teacher there. In 1986, a song school named "Magura Lalit Kala Vidyapeeth" was established in an old room of the residence of former Minister Major General (Retd) M, Majid-ul Haq in collaboration with Begum Shamsunnahar Mukul. He formed another music company called 'Akheli Lalita Kala'. He was assisted by artists like Bimal Roy, Vishnu Roy, Mosaddek Ali Mintu, Shishir Saha and Shibupad Saha. After the independence of the country, under the mediation of Mr. Khan Ziaul Haq, the two institutions "Magura Lalit Kala Vidyapeeth" and "Akheli Lalit Kala" were merged and unanimously named "Magura Lalit Kala Shilpi Sangstha". Students of two institutions used to study music here.

Later, in 1970, a government-run Shilpakala Parishad was established in Magura, now the District Shilpakala Academy, Magura. Chandi Prasad Chattopadhyay was the first to be appointed here. Former Minister M, Majidul Haque and the then Sub-Divisional Administrator Amiyangshu Sen were the main patrons of the organization. He has learned music from this institution and is now a very famous artist of Magura and national level. Among them are Saiful Islam Heerak, Dr. Rezwan Ali Lablu, Hasiyara Hasi, Shipradas, Md. Ohiduzzaman, Krishna Sarkar, Shahana Kabir Liku, Kartik Das, Bedyanath, Bablu, Kamal, Jahangir Kabir, Humayun Kabir and Humayun Ibn Babar. Shilpakala Academy is a well-known music institution in the cultural arena of Magura. The president of the organization is the deputy commissioner himself. At present many more cultural institutions have sprung up in Magura. Among them are Kotha Sanskriti Kendra, Lalon Parishad, Lok Sanskriti Kendra, Bivartan Natyagosthi, Ananya Theater, Nabanna Theater, Theater Unit Bangabandhu Sanskritik Parishad, Sammilita Sangskritik Jote, Swaralipi Sangeet Niketan and Shaheed Sirajuddin Sanskritik Academy. Besides, those who are now well known as home teachers in Magura are Shri Dhirendranath Chakraborty, Kamlesh Chakraborty, Madhumangal Adhikari, Shatdal Roy, Ajit Roy, Santosh Chakraborty, Panchanan Madhav Pramanik, Bimal Biswas, Sukumar Pal and Abu Jafar. Their contribution to the cultural practice of Magura is significant. Repetition is a special aspect of culture. Khan Rakibul Haque Deep formed a recitation organization in Magura ‘Kanthavithi’ Magura is a traditional recitation organization. It was attended by reciters like Abul Bashar, Shafiq, Kajal and Golzar. In addition to various cultural events, the organization alone presents recitation programs. The institution is memorable. Chittaranjan Sikder, famous reciter of BMA Halim Magura. ‘Painting’ is recognized as a special field in the cultural arena. Those who have practiced this art in Magura are Shariful Islam Khared, Shafi Ahmed, Saidur Rahman, Kishore Kumar Goldar, Khan Golam Mostafa Tota, Ratan Lal Saha, Biswajit Biswas, Farhad-bin-Salam Samsuzzaman Panna, Tapas Majumder and others. Freedom fighter Aziz is the founder of 'Mostafa Aziz' art school in Rautara. Hamiduzzaman Moktar has established an art school named after freedom fighter Aziz in Magura College Para.

Apart from Magura Sadar Upazila, several music institutes have been established in Sreepur, Mohammadpur and Shalikha Upazilas. Music and other cultures are also practiced in all these institutions. In addition, many government and non-government officials and employees in Magura and their families have made special contributions in the field of culture which is respectfully remembered.